I’m up and out of the house early, heading down the road to Carol’s house for our weekly art class at her ranch.
My friend Carol is 80 and has a home on acres of wild lilac covered, rocky, mountainous land that backs up to a large lake. In the first fire storm that whipped through our town four years ago, she was burned out completely. Only an old barn was left standing. But, first, her husband died and then she got burned off her ranch. One, two. You’re out. Only Carol wasn’t out. She took a big swig of her favorite gin and proceeded to design and have her house rebuilt, but this time to her high artistic standards.
I’m in my Racing-Green Jag meandering down the long narrow road, enjoying the beauty of the great oaks that in some instances hang high and meet over the center line. Four years ago, the road and all the land from this point down, was stung and blasted by tornado-like fire into a gray, powdery moonscape. Now the area is lush, again, lined with massive oak trees that have come back to life, wild lupine, orange poppies and the sycamores that have re-sprung new leaves.
To my right, as I laze around a bend I see dark tire tracks spiraling off to the road side, and where they end stands a new, waist high wooden cross with bright, florist’s flowers twined around it. There are piles of wilting flowers at the base.
“I wonder who?” I think. “Who died here? Someone I know?”
My car slows down even more as though she too is thinking about what can happen to people, and cars, all of a sudden.
Two years ago as I rounded a curve on another road a huge motorcycle flew straight at me and took out the entire driver’s side of my car, leaving my Jag pressed up against a guard rail, just an inch from the deep, silent canyon below.
The driver lived and I lived and my car lived although she was in rehab for 4 months and will never be the same.
I give my car a little pat on the dash. I love her. She saved my life. And, the motorcycle driver’s life also. If my car hadn’t been where she was at that exact moment in time, the man would have sailed quietly over the rail and down into the River Styx.
Carol’s ranch is guarded by an electronic gate. As I approach, I notice maybe, eight or ten men standing beside trucks parked in the turn around right beside the gate. For a moment, I feel alarmed. I am out here in the ‘empty’ Land of Rolling Earth and Mountains and I have to get out of my car, walk to the gate and key in the code.
I take a fast assessment as I pull up to the gate. The men assess me, too. They’re dressed mainly in bushy beards, old floppy hats and work pants.
Hopping out of my car, I grin and yell, (I hope disarmingly,) “So, what are you guys doin’ here?”
The men break into big smiles and assure me that they are just measuring the road.
“Oh!” I shout. “You look like a bunch of artists or painters!”
They looked pleased but can’t think of what to say. I pound numbers into the gate box, jump into my car and whiz through the opening gate.
Rushing into my art class, late as usual, I find Carol and Regina, who is fifty something, and our teacher, Stan, 60ish, already involved in the class.
We ‘girls’ have been meeting and painting with Stan, a very accomplished, award winning painter, for 6 years, at least. We can’t remember how long it’s been, actually. But, that’s not surprising. None of us seem to remember much anymore. In fact, last week at class Stan spent most of the time walking around Carol’s house closing his eyes, swinging an arm out in a wide loop then bringing it in to touch his nose with a finger.
“Just to make sure I don’t have a brain tumor,” he assured us. “I can’t remember anything anymore and it’s worrying me. Yesterday My wife and I were with friends and they said ‘where should we go to eat?’ and my wife said, ‘Not Mexican food, again. Stan and I have been eating it for the last 3 days.’
“Well,” Stan continues, “you know, I thought and thought and thought about it and finally I said to my wife, ‘Where did we eat Mexican food?’ I couldn’t remember a damn thing about it.”
As I enter the living-room, I notice Carol and Regina’s new paintings are propped up against the fireplace hearth where we always look at our work.
Stan is talking about Julian, the small mountain town he lives in, about 45 minutes from us here in the valley.
“You know Powell, the well known naturalist who lives in Julian, just died,” Stan says. “They set up a memorial for him in the park. His grown son went into one of the sheds there to haul out some more chairs and he got bit by a rattlesnake! It just spun up and grabbed him in the leg. He went down like a stone and we called the paramedics. They had him Life Flighted out by helicopter. As we’re all sitting down below at his father’s funeral service, we look up and the AstroFlight with the son in it, flies right over the father’s service. Damdest thing.”
We all suck our teeth in support and sympathy.
I notice that Stan is pensive today. He pulls on his beard. Runs his hand through his lovely, thick hair.
“How’s your mom, Stan?” I ask.
“She wants to die,” Stan says.
We’ve heard this before. She’s 99 years old and she wants to go. She saw her husband, Stan’s father, after he died, many, many years ago and she is not afraid of death.
“She wanted to die four years ago when she had the cancer,” Stan says. “She was really excited about it. But, then she got well.”
We’re all silent. What do you say, “Too bad.” ?
“Now, she had this stroke two weeks ago,” Stan says, “and the doctor told her she would never speak again and be paralyzed on one side for the rest of her life. So what happens? She’s now talking and walking and she’s not paralyzed. Her mind is perfect. And she’s pissed off.”
Stan continues, “The doctor tells her she could live a long time and she said, ‘I only want to live one more month, until after my son gets up here to visit me.”
We all look at Stan. “Are you going?”
Stan is torn. If he goes to see her, it might kill her. If he stays home, she may live.
We’re all sitting here, trying to discuss and settle some life and death issues but time moves on. The old clock is ticking. Stan tells us to get to work.
We do. We three paint masses of flowers.
Regina’s finished painting slants side-ways for some odd reason, mine goes all over the place and Carol does a dainty one on a small piece of rice paper.
What have we done here? Are these funeral flowers or are we celebrating life?
I say, Let’s Celebrate Life!! We will have plenty of time to Celebrate Our Death on The Other Side of Life. Let’s not rush it.
Oh well, there are always exceptions. Maybe Stan’s mom can rush hers?
